Infographic / Edu Visual - Architectural Perspective Sketch Poster

A creative transformation prompt that converts photos into architectural sketches and minimalist design posters with a focus on spatial relations and artistic negative space.

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Please create each photo I upload into an independent, high-end design poster, no multi-image stitching, each photo output separately. The overall composition adopts a 3:4 vertical layout, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the screen. The upper part retains the original photo, maintaining the subject identity, structure, posture, real texture, natural light and shadow, and the original color atmosphere, with only slight high-end color grading to give it the texture of art magazines and exhibition images. To adapt to the frame, the environment background can be naturally expanded, but the subject must not be stretched, distorted, or changed. The lower part extracts only the most recognizable subject, outline, structure, posture, and narrative relationship from the photo, and reconstructs it into an architectural concept perspective sketch / architectural design presentation hand-drawing. Do not keep the full scene, do not copy the photo object by object; actively delete most of the background, surroundings, and irrelevant details, leaving only the core forms, spatial relationships, and visual memory points that best represent the original theme. The lower part re-evaluates the artistic judgment. Even if the original composition is poor, the background is messy, or the subject is small, it should be rescued into a valid work through deletion, reorganization, cropping, scale changes, and white space, truly giving the model the power to re-direct the scene. The drawing style uses freehand perspective line drawings + a small amount of selective color blocks. The lines are relaxed, restrained, slightly repetitive, and punctuated, allowing for a small number of auxiliary lines, extension lines, construction lines, and geometric reference lines of architectural drawings to form a clear sense of design deliberation. Color is only lightly applied in a few key parts to emphasize the subject, structural levels, local shadows, or spatial focuses, and other areas are mostly left unpainted. The screen must be centered on a large amount of conscious white space. The subject should be smaller and more refined, with large areas of other spaces left empty. White space is not just an empty background, but a part of the composition, forming a sense of breath, space, and rhythm together with the subject, line drawings, reference lines, shadows, and a small number of color blocks. The subject can be off-center, edge-aligned, partially cropped, or scaled down; it is better to draw less than to fill it up. A small amount of geometric shadow color blocks can be added to strengthen volume, depth, and spatial layers, but avoid heavy rendering, complex environments, and a realistic rendering feel. The background remains minimalist, retaining only a very small amount of necessary site suggestions. The color scheme extracts 2-4 of the most recognizable and vibrant colors from the photo above and rearranges them into a cleaner, more restrained, and appealing sketch color palette. The overall can be appropriately brightened, purified, and desaturated, mainly using off-white, light gray, warm gray, soft green, light wood color, light blue-gray, etc., with a small amount of more vivid but not dazzling accent colors reserved locally. Avoid dirty gray, dullness, excessive vintage feel, and cheap high-saturation. Text intervention is minimal and editorial, with no language restrictions. A few words, short phrases, or notes can be generated based on the subject, location, action, or emotion, quietly placed in the white space, forming a restrained graphic-text relationship with the image. The overall presentation is a high-end visual effect composed of architectural concept hand-drawings, free line drawings, geometric reference lines, a small number of color blocks, geometric shadows, massive white space, and editorial layout. Avoid complete scene retention, object-by-object duplication, complex backgrounds, full-frame coloring, realistic renderings, thick strokes, cartoonish feel, 3D feel, and template-like expressions.
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SairahGPT Image 2
Create a 1:1 square, ultra-realistic overhead photograph based on the uploaded selfie. The selfie is the sole reference for the person's identity. Preserve the same recognizable adult face, natural facial proportions, skin tone, hairstyle, original expression, visible clothing (including existing prints), and accessories. Naturally complete any unseen trousers and shoes to match the original outfit.

CAMERA & ENVIRONMENT
Position the camera almost directly above the person, looking vertically downward. The setting is a clean, spacious, light-colored indoor stone floor or outdoor paved surface that matches the aesthetic of the original selfie. Use large paving slabs with only 2–3 thin, widely spaced seams across the entire frame. Each slab should be approximately twice the height of the miniature full-body figure. Keep the stone texture subtle and refined, with no props, plants, or clutter. A distant wall base may appear along the top edge.

COMPOSITION & PROPORTIONS
Only one person stands slightly below the center of the frame, fully visible from head to toe. The entire figure occupies just 40% of the image height, leaving extensive empty floor space above the head and on both sides.

Use extreme wide-angle forced perspective to create an enormous, realistic head and a miniature body. The head, from crown to chin, occupies 75% of the figure's total silhouette height. The shoulder width is only 50% of the head width. Below the head, create an extremely short, narrow torso, miniature arms, perspective-compressed short legs, and two tiny shoes placed close together.

The head and body must connect seamlessly. Both arms hang naturally close to the sides. The person tilts their head upward and looks directly toward the elevated camera. Preserve realistic facial anatomy, natural skin texture, and lifelike eyes. Absolutely no cartoon styling or collage effects.

LIGHTING & REALISM
Use natural lighting, realistic individual hair strands, authentic fabric textures, finely detailed stone surfaces, physically accurate contact shadows, and subtle film grain. The final image must look like a genuine photograph captured with a real camera.
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