Short film prompts

你咋一天这么多事，要打就打
prompt：

电影级写实质感，纯古风中国仙侠美学。

把真正庄严的高手挑战，与 “提前包装江湖名声” 的元喜剧进行碰撞。
吸收：
默片式反应节奏

英式一本正经逻辑
港式喜剧快速铺垫与回收
经典“三拍递进”结构
采用：

Arri Alexa 电影机质感

稳定清晰的面部微细节
细腻胶片颗粒
自然体积光
核心喜剧主线

整段只保留一条第一遍就能立即看懂的喜剧主线：

一个极其自信的敌方剑客，为了证明自己即将获得一场传奇胜利，专门带来一名江湖记事先生“客观记录”；结果真正的决斗还没开始，图一图二两名女子就发现——敌人连最后怎么写都已经提前花钱定好了。

角色功能原则

记事先生始终只承担一本正经的辅助角色

年长师父只负责最后一次补刀
参考与环境
将 @图片 1 和 @图片 2 严格作为人物身份锚点。

本轮新上传的所有背景与地点参考图，共同决定同一套环境 DNA。
正式构图前，无声整合能够互相兼容的：

真实地形

建筑语言

材质年代
植被

水体
天气
山雾
主光方向
反光关系
空气纵深
人物真实可行走路线
再重新规划成本轮独有、完整统一的新空间。
背景原则
背景中的以下元素始终持续自然鲜活，但在叙事上绝对中立：
自然风

水体

植被
云层

远处普通弟子
空间环境声
角色设定
角色 ID A｜剑仙师姐
始终是同一个 @图片 1 剑仙师姐：
25–30 岁东亚女性

身材高挑纤细

椭圆脸

深色杏眼
黑色长发半挽，以白玉簪固定

始终穿同一套白色刺绣真丝汉服
银色腰封
玉佩
白色布靴
持唯一一柄银色长剑
角色 ID B｜小师妹
始终是同一个 @图片 2 小师妹：
20–25 岁东亚女性
身形娇小
圆润灵动的脸

黑发编辫
始终穿同一套青绿色亚麻汉服

深色腰带
木簪
黑色布鞋
持唯一一柄深色钢剑
其他角色
敌方剑客
气势十足
极其自信
非常在意自己的江湖名声

江湖记事先生

唯一一名中年记事先生
手中只有毛笔和一卷没有任何可读文字的素色纸卷
始终一本正经、职业化、认真执行自己的“记录工作”
年长师父

始终沉稳
只在最后完成一次一本正经的补刀
分段结构
0–5s｜全景或远景

一名气势十足的敌方剑客进入根据本轮参考图自然形成的开放区域，身旁跟着唯一一名中年江湖记事先生。
记事先生手中只有毛笔和一卷没有任何可读文字的素色纸卷。
敌人拔剑，非常郑重地宣布：

“今日请先生作证，免得有人输了不认。”

同一个小师妹看了一眼旁边的记事先生，平静评价：

“还挺正式。”

同一个白衣剑仙从头到尾保持冷静。

5–10s｜中景或牛仔景

保持：

同样人物

同样服装

同样长剑

同一个记事先生

同一卷纸

完全一致的地理空间

真正决斗还没有开始，记事先生突然非常职业化地稍微靠近敌人，小声确认：

“公子，还是按‘十招大胜’记？”
全场绝对安静半拍。
敌人的身体当场僵住，立刻压低声音恼火反问：
“不是说打完再写吗？”
记事先生一本正经回答：
“定金付的是这个结局。”

同一个小师妹非常缓慢地把眼神从记事先生移到敌人脸上，难以置信地问：

“结局都买好了？”

同一个剑仙师姐什么都没说，只极轻微地抬起一侧眉毛，第一次产生真正兴趣。

整个背景从头到尾持续自然运行，却完全不参与笑点。

10–15s｜特写或极近特写

同一个白衣剑仙非常认真地问记事先生：

“若他输了呢？”

同一个记事先生几乎零停顿回答：

“补银子，可改成‘虽败犹荣’。”

敌人瞬间恼羞成怒：

“我不会输！”

镜头焦点转移到两人数步后方自然存在的同一个年长师父。

师父从头到尾保持绝对一本正经，只淡淡说道：

“那先替他记一句：未开打，先改稿。”

同一个记事先生非常职业化地点一下头，立即抬起毛笔准备继续记录。

敌人这一次真正慌了，马上喊道：

“这句别记！”

记事先生停顿半拍，看着他认真评价：

“这句也挺好。”

极近特写：

同一个小师妹迅速转开脸，肩膀出现极轻微颤动，拼命忍住笑

同一个剑仙师姐则依旧保持真正高手的庄重表情，非常礼貌地向敌人做出一个继续比武的手势：

“现在能打了吗？”

敌人先看看记事先生，再看看自己手中的剑，最后又看看后方师父，突然意识到现在真正岌岌可危的已经不是自己的身体，而是自己苦心经营的江湖名声。

在他回答之前精准切黑。

喜剧节奏原则

整段必须符合清楚的“三拍递进”：

第一拍

敌人郑重带着记事先生上场，像要见证一场传奇胜利。
第二拍

记事先生职业化暴露：胜负文案已经提前付费定好。

第三拍

师父一本正经补刀，记事先生准备如实记下，敌人终于发现真正危险的是自己的名声。

表演原则

敌方剑客

不是丑角表演

不是故意滑稽
必须认真维护自己的排场和体面

喜剧感只能来自他越想保住名声，越暴露自己提前包装结果
记事先生

必须极端职业化
一本正经

逻辑清楚

完全不觉得自己荒唐

他的喜剧感来自“过度认真”
剑仙师姐
全程冷静
不嘲讽
不抢台词

后半段才因为事情的荒谬性，第一次表现出真正兴趣
小师妹
反应要自然
不夸张大笑
重点是“忍笑”
年长师父

必须绝对平静
那句“未开打，先改稿”要像陈述事实，而不是故意抖包袱
硬性要求
严格总时长 15 秒
16:9 横屏

三个连续清晰镜头
原生同步普通话对白
精准口型
明确的喜剧停顿

针对 Seedance 2.0 Mini 强化多参考人物身份连续性
人物面部全程稳定
发型全程稳定

服装全程稳定

长剑全程稳定

记事先生道具全程稳定
配角位置全程稳定
地理空间全程稳定
人物走位简单清楚
真丝衣料和头发物理效果真实
前景、中景、远景保持自然视差与真实空间环境声
不生成字幕
Negative
blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Create a 30-second cinematic, ultra-realistic wuxia-style video set at night in an ancient Chinese village, with traditional wooden buildings, a stone-paved street, a small arched bridge, misty mountains in the background, and many glowing red lanterns hanging along the street. A beautiful young woman in an elegant flowing red traditional Chinese Hanfu walks calmly toward the camera, with long dark hair styled traditionally and a serious, confident expression. As she moves closer, the camera slowly pushes in and follows her naturally, capturing the lantern light, fabric movement, atmospheric mist, and realistic footsteps. Around the middle of the scene, she suddenly stops and confidently draws a glowing red magical sword, holding it horizontally in front of her while her expression becomes focused and powerful. The camera moves into a dramatic close-up of her face and sword, showing realistic skin texture, detailed hair, glowing reflections, and cinematic depth of field. Several mysterious black-clothed attackers appear around her, rushing toward her from different directions, creating a tense martial-arts atmosphere. She swiftly turns and performs powerful choreographed sword movements, blocking and striking the attackers with fast but believable movements while the glowing sword leaves subtle red light trails. The attackers are knocked down onto the stone street around her, while she remains standing confidently in the center with her sword raised, surrounded by red lanterns and light mist. End with a wide cinematic shot slowly pulling back to reveal the woman standing alone among the fallen attackers, ancient village buildings and mountains behind her, maintaining consistent character appearance, realistic motion, cinematic lighting, detailed textures, dramatic atmosphere, smooth camera movement, 16:9 aspect ratio, 30 seconds, no text, no watermark.

【全局设定】
古风写实电影镜头，东方古典生活叙事，雨后江南古镇：青石台阶、青砖黛瓦、木质廊檐、雕花木门、竹帘、湿润石板巷道。阴天柔和漫射光，低对比度，冷灰青与温暖木色融合，轻微35mm胶片颗粒，真实皮肤、木石与织物纹理，电影级浅景深，8K，16:9。

女主A：图1
女主B：图2

全片严格保持角色身份、空间位置、左右关系、行进方向、天气、光线、色调连续。

【核心摄影技法】
全片以“渐进式光学变焦”为唯一核心运镜。摄影机尽量固定机位，不依赖实体移动，通过缓慢连续的光学推近、拉远改变人物画面占比与空间关系。保持真实镜头压缩、景深变化和光学特征，禁止数字裁切。前景遮挡、浅景深、焦点转移辅助叙事，形成“远处发现→隔巷对视→空间压缩→情绪确认”。

【0-4s】
中景起幅，35mm，固定机位，视线高度。女主A沿青石台阶缓慢下行至巷口，停步转身抬头，看见远处廊檐下的女主B。镜头从较宽环境关系构图开始，仅缓慢光学推近，逐渐收紧至女主A中景，摄影机不移动。

古镇行人先后从左右前景横向经过，近距离形成自然虚化遮挡，女主A始终保持清晰；遮挡期间曝光、色温、光影稳定。变焦持续平滑克制，最终形成女主A与远处女主B隔巷对视。

【4-9s】
承接上一段，机位完全不变。女主B从画面右侧前景缓慢进入，靠近木质廊柱，与廊柱形成天然前景框；女主A位于左中部巷道深处。

缓慢连续光学变焦，女主A先保持清晰，随后画面逐渐收紧，女主B前景占比增大，女主A退入背景并柔和虚化。逐渐进入长焦端，通过真实空间压缩使古巷纵深被压缩，两人实际距离不变，但视觉距离明显拉近。焦点平滑由女主A转向女主B，最终女主B侧脸清晰、女主A虚化。摄影机不横移、不摇摄、不绕拍，曝光与色调连续。

【9-13s】
保持固定机位与长焦关系。女主B站在木质廊柱旁缓慢转身，看向女主A。仅进行一次极缓慢光学推近，从双人关系构图收紧至女主B中近景。画面左侧保留女主A局部虚化轮廓，形成窥视式前景框架。

女主B成为主要焦点，看向女主A，短暂停顿后轻声说：“好久不见。”露出极轻微笑意。竹帘被雨后微风吹动，屋檐水滴自然落下，湿润青石反射柔和天光。镜头稳定推进，在近距离情绪确认中结束。

【镜头控制】
核心必须是“光学变焦制造叙事距离变化”，而非摄影机移动。镜头语言依次完成：环境建立→发现女主A→缓慢收紧→女主B进入前景→长焦空间压缩→焦点转移→情绪确认。变焦速度缓慢连续，具有真实镜头惯性；保持自然人物比例、真实景深与稳定曝光，明确呈现光学变焦感，但无廉价数码放大感。

【连续性与负面约束】
严格遵循角色卡，禁止外貌、发型、服装漂移；保持空间地理关系、左右位置、运动方向、光线方向一致。禁止现代建筑、交通工具、路牌、现代物件、字幕、水印；禁止新增主要人物、人物重复、肢体异常、身份交换。禁止横移、环绕、突然摇镜、无人机运动、强手持抖动、数字变焦、数码裁切、透视异常、焦距跳变、景深瞬切、曝光闪烁、色温漂移、过度雾化、过度磨皮、AI塑料皮肤。

Use the character sheet as the visual reference. Preserve the bride’s exact face, hairstyle, dress, body proportions, and accessories throughout the entire video. 16:9 landscape.

0–3 sec — THE ESCAPE
A church wedding is happening when the bride suddenly bursts through the giant church doors and sprints down the steps, still holding her bouquet. Her expression is determined but hilariously excited. Her veil and dress fly wildly behind her. Camera rapidly tracks backward in front of her as she runs. A few confused wedding guests appear in the background, realizing what is happening.
3–5 sec — GET TO THE CAR
She spots a bright red 1950s vintage car waiting at the curb. She kicks off one white bridal heel while running, then throws herself toward the driver's door. Fast whip-pan follows her movement.

5–8 sec — PEEL OUT
She jumps into the car, slams the door, starts the engine and PEELS AWAY at ridiculous speed. Tires squeal, a tiny cloud of smoke appears, and her long white veil gets caught in the closing door and streams dramatically behind the car. The bouquet lands on the passenger seat.
8–11 sec — CHAOS
Rapid comedic interior cuts:
Bride gripping the steering wheel and laughing → her veil whipping around her face → bouquet bouncing around the passenger seat → her other bridal heel flying through the air → wedding guests running helplessly behind the disappearing car.

11–15 sec — SHE’S FREE
Dynamic side tracking shot of the red car racing down a sunny vintage highway. The bride drives one-handed, completely carefree. She looks into the rearview mirror, sees the church disappearing in the distance, grins, then blows a huge pink bubblegum bubble.
Final frame:
The red car speeds toward the horizon, veil flying behind it.

Style: fast-paced physical comedy, playful rebellious energy, 1950s Americana, saturated red vintage car, creamy white wedding dress, warm golden sunlight, cinematic vintage film grain, slightly painterly realism, realistic motion, energetic camera movement, whip pans, quick cuts, exaggerated but believable comedy.
Important: No slow motion, no sad mood, no dramatic romance, no dialogue, no text, no extra brides, no face changes, no outfit changes, no distorted hands, no morphing.

TITLE
The Lost Wind Chime

REFERENCE
Use the uploaded storyboard board and character sheet as the main visual reference.

Keep all character designs, environment details, wind chime design, kitten appearance, countryside lighting, and emotional story beats consistent with the provided references.

什么寒川无影客，还是不如王二狗顺耳
prompt：

电影级写实质感，纯古风中国仙侠美学。

把史诗级高手自报家门的庄严镜头语法，逐渐瓦解成一本正经的 “身份掉马” 喜剧。
吸收：
默片式反应节奏

英式身份降格冷幽默
港式喜剧快速铺垫与回收
清楚的“三拍递进”
采用：

Arri Alexa 电影机质感

稳定清晰的面部微细节
细腻胶片颗粒
自然体积光
核心喜剧主线

整段只保留一条第一遍就能立即看懂的喜剧主线：

一个气势极强的敌方剑客，想用越来越夸张的江湖名号压住全场；师姐却从头到尾只想知道：

“你到底叫什么？”

最后年长师父突然认出他小时候极其普通、甚至有点尴尬的旧名，一句话就把敌人辛苦经营多年的绝世高手人设彻底打回原形。

笑点原则

核心笑点来自：

身份地位反差
熟人社会的精准拆台

绝不能依赖：
人物突然变蠢

环境事故

外力巧合
参考与环境
将 @图片 1 和 @图片 2 严格作为人物身份锚点。

本轮新上传的所有背景与地点参考图，共同决定同一套环境 DNA。
保留能够辨认的：

真实地形

建筑

材质
植被

水体
天气
山雾
主光方向
倒影
空气纵深
同时重新规划成本轮独有、完整统一的新空间。
背景原则
背景中的以下元素持续鲜活存在，但在叙事上绝对中立：
自然风

水体

植被
云层

远处普通弟子
空间环境声
角色设定
角色 ID A｜剑仙师姐
始终是同一个 @图片 1 剑仙师姐：
25–30 岁东亚女性

身材高挑纤细

椭圆脸

深色杏眼
黑色长发半挽，以白玉簪固定

始终穿同一套白色刺绣真丝汉服
银色腰封
玉佩
白色布靴
持唯一一柄银色长剑
角色 ID B｜小师妹
始终是同一个 @图片 2 小师妹：
20–25 岁东亚女性
身形娇小
圆润灵动的脸

黑发编辫
始终穿同一套青绿色亚麻汉服

深色腰带
木簪
黑色布鞋
持唯一一柄深色钢剑
其他角色
敌方剑客
气势极强
出场充满仪式感
极度依赖自己经营多年的江湖名号

强烈维持“绝世高手”人设

年长师父
从头到尾一本正经
并非故意羞辱对方
只是自然认出熟人旧名
最后再补最后一刀

分段结构
0–5s｜全景或远景
一名气势极强的敌方剑客大步进入根据本轮参考图自然形成的开放区域。
他极有仪式感地掀开外层披风，一只手压住剑柄，以真正绝世高手登场的姿态高声宣布：
“北岭孤鸿，断江一剑，今日特来领教！”

同一个白衣剑仙完全没有被气势影响，只非常平静地问：

“你叫什么？”

敌人明显停顿一下，随后反而更加骄傲地继续：

“江湖人称 —— 寒川无影客！”

5–10s｜中景或牛仔景

保持：

同样人物

同样服装

同样长剑

完全一致的地理空间

同一个小师妹慢慢转眼看向师姐。

同一个师姐没有任何嘲笑，仍然非常认真地再次确认：

“我是问名字。”

敌人终于出现一点不自然，却依然努力维持高手气质：
“名号就是名字。”
浅景深后方，同一个年长师父突然眯起眼睛，非常认真地盯着敌人的脸看了一拍。
随后像终于认出一个多年没见的熟人一样，突然问道：

“王二狗？”

全场绝对安静。

敌人整个身体瞬间僵住，原本挺得极直的英雄式姿态，肉眼可见地垮下去一点。

整个背景继续自然鲜活地运行，却完全不参与这个反转。

10–15s｜特写或极近特写

同一个敌人难以置信地转头看向师父：

“您…… 认识我？”

师父完全没有意识到自己正在拆台，只非常自然地回答：

“你小时候偷我枣，被狗追过三条街。”

同一个小师妹瞬间低下头，肩膀出现极小幅度颤动，拼命憋住笑。

敌人赶紧重新转回师姐，试图挽回最后一点江湖尊严，压低声音认真解释：

“江湖已经没人这么叫了。”

同一个白衣剑仙听完之后非常郑重地点一下头，表示完全理解，然后平静回答：

“明白，二狗。”

极近特写：

敌人刚刚勉强恢复的一点表情再次彻底垮掉

同一个小师妹终于忍不住迅速转开脸，短促笑出一声

后方同一个年长师父再一本正经补最后一刀：

“现在又有人叫了。”

敌人彻底忘记自己原本是来挑战的，只沉默地把披风往脸前拉高一点，仿佛第一次后悔今天为什么要报这么多名号。

在这个表情上精准切黑。

喜剧节奏结构

整段保持清楚的“三拍递进”：

第一拍
敌人以史诗级高手姿态自报家门，气势拉满。

第二拍

师姐完全不接他的名号体系，只追问最普通的“你叫什么”。

第三拍

师父一句“王二狗”直接让整个人设掉马，后续所有挽尊都变成新的笑点。

表演原则

敌方剑客

不能主动搞笑

不能表演成丑角
必须认真维持自己的威严、名号和气场

喜剧效果只能来自他越认真维护身份，越被现实拆穿
剑仙师姐

必须始终平静
不嘲讽

不抢包袱

她的可笑点不在“会玩梗”，而在她真的只在认真确认名字

小师妹
必须自然反应
重点是“努力忍笑”
不能提前夸张崩坏
年长师父

必须绝对一本正经
像是在正常认人、正常回忆往事
补刀不能像故意捧哏，而要像无意识地再补一层事实
硬性要求
严格总时长 15 秒

16:9 横屏
三个连续清晰镜头
针对 Seedance 2.0 Mini 保持简单清楚的场面调度
明确视线关系

严格人物连续性
原生同步普通话对白
精准口型
清楚的喜剧停顿

人物服装全程稳定

长剑全程稳定

配角位置全程稳定
地理空间全程稳定
真丝衣料和头发物理效果真实
前景、中景、远景保持自然视差与真实空间环境声
不生成字幕
Negative
blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Create a hyper-realistic cinematic slapstick comedy in four seamless shots outside a modest two-story Korean villa on a bright afternoon, using natural handheld smartphone cinematography.
Use Image Reference 1 as the woman and Image Reference 2 as the man; preserve their identities, faces, hairstyles, clothing, and proportions consistently.
Shot 1: The woman stands at an open second-floor window, struggling to straighten a large white bedsheet with an unusually long bamboo laundry pole.
The pole suddenly slips from her hands and falls vertically toward the narrow walkway as the camera instinctively tilts down and follows it.
Shot 2: The scruffy man casually walks beneath the building, completely unaware, when the bamboo pole crashes onto his head with a loud THUNK, sending him dramatically onto the pavement.
He sits up rubbing his head as the woman leans out apologetically; she says, “I’m sorry! I really didn’t mean to!” and he replies flirtatiously, “It’s okay... but you’re really beautiful.”
Shot 3: The man grabs the bamboo pole, sprints toward the building, plants it like a pole vaulter, and launches himself upward toward the second-floor window.
The bamboo bends dramatically under his weight as the camera cranes upward and tracks his ascent, with the man leaning forward as if attempting to kiss the woman.
Shot 4: The woman recoils and shouts, “Eww... you’re so ugly! Go away!” before delivering a perfectly timed front kick into his torso.
The bamboo snaps back like a giant slingshot, launching him violently into the sky as the camera whip-pans and continuously tracks his spinning body until he becomes a tiny silhouette disappearing into the clouds.
Cut back to the window as the woman calmly dusts off her hands, picks up another bamboo pole, and resumes fixing the bedsheet as if nothing happened.

Created a 20 seconds cinematic Japanese-style scene of a young schoolgirl walking alone through a quiet Japanese residential street during warm golden-hour sunlight, shown from behind as she slowly approaches a railway crossing with a train passing in the background, then transitioning to a close-up of her face and flower-decorated hair as she watches the train, followed by a wider shot of her standing near a quiet canal with soft evening light reflecting on the water, then showing her gently touching small white flowers in a golden field, with close-up shots of her hand and the flowers moving naturally in the breeze, gradually transitioning to a wide sunset landscape with the girl standing peacefully in the field, and finally ending with a warm close-up of her face as she softly looks toward the camera, maintaining the same character, hairstyle, school uniform, realistic skin details, natural expressions, smooth cinematic camera movement, soft depth of field, warm sunset lighting, realistic Japanese environment, subtle film grain, peaceful emotional atmosphere, and a dark fade-out at the very end.

30-second comedy short. Two realistic house cats, a chunky orange tabby and a skinny black-and-white tuxedo cat, sit side by side on a dim rooftop ledge at night, city lights blurred behind them. Warm orange and blue lighting, shallow depth of field, mockumentary-style camera with sudden zoom-ins for comedic timing. Their mouths move naturally in sync with speech. They whisper in sad-angry, deadpan voices like two exhausted men at a bar, constantly glancing over their shoulders. Burned-in white English subtitles at the bottom of the frame, synced to speech.

0-5s: Close-up of the orange tabby, ears flat, one eye twitching. Long, dramatic sigh.
Orange (whisper): "Bro... she woke me up at 5 AM to ask if I love her."
Subtitle: "Bro... she woke me up at 5 AM to ask if I love her."
Quick zoom-in on his tired face.

5-10s: Cut to the tuxedo, tail whipping, slowly shaking his head.
Tuxedo (whisper): "Mine knocked a glass off the table, looked me dead in the eye, and blamed ME."
Subtitle: "Mine knocked a glass off the table, looked me dead in the eye, and blamed ME."
Orange nods slowly in the background: "Classic."

10-15s: Two-shot, both staring at the skyline.
Orange (whisper): "She says I never listen. I'm a CAT. I don't listen to anybody."
Subtitle: "She says I never listen. I'm a CAT. I don't listen to anybody."
Tuxedo: "Respect the honesty, though."

15-20s: Tuxedo leans in, furious whisper, eyes wide.
Tuxedo (whisper): "She told me to 'use my words.' I HAVE four words. All of them are 'feed me' and 'move.'"
Subtitle: "She told me to 'use my words.' I HAVE four words. All of them are 'feed me' and 'move.'"
Orange wheezes silently, shoulders shaking.

20-25s: Both go quiet. Orange stares into the distance.
Orange (whisper): "That's it. I'm done. Tonight I'm leaving her."
Tuxedo (whisper): "Finally. Say it again, louder."
Orange (louder, voice cracking): "I'M LEAVING HER!"
Subtitles match.

25-30s: A distant female voice calls out: "Dinnerrr!" Both cats' ears shoot up instantly. They stare at each other, then bolt off the ledge in opposite directions. Cut to the empty ledge, one tiny "meow" echoes.
Orange (off-screen): "Coming, babe!"
Tuxedo (off-screen): "Coming, honey!"
Subtitles match. Fade to black.

Style: photorealistic, 4K, cinematic color grade, subtle city ambience, light comedic sound effects (record scratch on the "four words" line, tiny whoosh on the bolt-off). No cartoon look, no text other than subtitles.