Cinematic scene prompts

Ultra-realistic cinematic portrait of a beautiful young woman in an elegant upscale restaurant at night, wearing a sophisticated black outfit, holding a clear wine glass while gracefully walking through a warm, dimly lit interior. Later, close-up portrait with her looking softly to the side, natural expressive eyes, subtle makeup, smooth realistic skin texture, dark brown hair loosely styled with delicate strands framing her face, intimate and mysterious mood, warm amber practical lights, creamy bokeh in the background, shallow depth of field, cinematic low-key lighting, realistic shadows, luxury editorial photography, 85mm lens, f/1.4, HDR, highly detailed, photorealistic, 8K, vertical 9:16 composition.

流れ星が降り注ぐ夜空、ピンク色のガラスで作られた薔薇が所々で光輝く緑色のネオンの地に佇む、ピンクと白を基調とした着物ドレスを纏い、メタリックシルバーの近未来的な高下駄を履いた長い黒髪の若き女性のイラスト。文字やロゴはなし。

Cinematic 4K action sequence in a dark movie theater. A young Asian woman with long black hair and a green long-sleeve top is eating popcorn, watching a sci-fi blockbuster on screen. Suddenly, a robotic cyborg villain with glowing red eyes leaps out of the movie screen into the theater. The environment instantly shatters and transitions into an epic ancient ruin courtyard with stone columns under a stormy sky. Dynamic camera movement tracking intense hand-to-hand combat between the woman wielding swirling green magical energy and the metallic cyborg casting purple spell circles. High-budget Hollywood blockbuster aesthetics, dramatic lighting, particle effects, slow-motion impacts, and hyper-realistic textures.

Create a 30-second cinematic, ultra-realistic wuxia-style video set at night in an ancient Chinese village, with traditional wooden buildings, a stone-paved street, a small arched bridge, misty mountains in the background, and many glowing red lanterns hanging along the street. A beautiful young woman in an elegant flowing red traditional Chinese Hanfu walks calmly toward the camera, with long dark hair styled traditionally and a serious, confident expression. As she moves closer, the camera slowly pushes in and follows her naturally, capturing the lantern light, fabric movement, atmospheric mist, and realistic footsteps. Around the middle of the scene, she suddenly stops and confidently draws a glowing red magical sword, holding it horizontally in front of her while her expression becomes focused and powerful. The camera moves into a dramatic close-up of her face and sword, showing realistic skin texture, detailed hair, glowing reflections, and cinematic depth of field. Several mysterious black-clothed attackers appear around her, rushing toward her from different directions, creating a tense martial-arts atmosphere. She swiftly turns and performs powerful choreographed sword movements, blocking and striking the attackers with fast but believable movements while the glowing sword leaves subtle red light trails. The attackers are knocked down onto the stone street around her, while she remains standing confidently in the center with her sword raised, surrounded by red lanterns and light mist. End with a wide cinematic shot slowly pulling back to reveal the woman standing alone among the fallen attackers, ancient village buildings and mountains behind her, maintaining consistent character appearance, realistic motion, cinematic lighting, detailed textures, dramatic atmosphere, smooth camera movement, 16:9 aspect ratio, 30 seconds, no text, no watermark.

جربت Motion بـ Claude Opus 5.5
Headless chrome
Canvas API (Assets Generation/ Paper textures)
Yoga-layout
Prextext
Floating UI
وقلت له يسوي
Vox-vibe video
وعطيته ملفات PDFs وصور

OUT OF THE SHADOWS -- A DUCATI darts out of the darkness --
engine throttles down -- wind rushes by -- we’re THE RIDER --
BLACK -- head to toe -- blends into night -- flying a hundred
miles an hour -- zipping around scattered cars on the
desolate street

Create a video of a {argument name="object" default="knife"} cutting through {argument name="substance" default="butter"} except the {argument name="object" default="knife"} must look like {argument name="substance" default="butter"} and the {argument name="substance" default="butter"} must look like {argument name="material" default="stainless steel"}

Create a cinematic sci-fi battle sequence in a wet industrial harbor. Scene 1: close-up tracking shots of a heavily armored futuristic warrior, detailed black tactical armor, helmet and glowing blue accents. Scene 2: close-up of his armored hand activating a powerful glowing blue energy sword. Scene 3: wide shot as he walks forward across the rain-soaked dock, sword glowing beside him, cargo cranes in the background. Scene 4: several dark monstrous creatures suddenly rush toward him from the distance. Scene 5: the warrior fights them with fast, powerful sword movements, dodging and striking through the creatures. Scene 6: intense close-up of his face inside the helmet, blue reflections across his eyes. Scene 7: he launches into the air and attacks between the creatures with the energy blade. Scene 8: final wide shot as he lands and unleashes a powerful blue energy strike, water splashing dramatically around him. Photorealistic, dark cinematic sci-fi, dramatic overcast lighting, realistic rain, wet reflections, dynamic handheld camera, fast action, high detail, seamless motion, epic movie-quality VFX.

【全局设定】
古风写实电影镜头，东方古典生活叙事，雨后江南古镇：青石台阶、青砖黛瓦、木质廊檐、雕花木门、竹帘、湿润石板巷道。阴天柔和漫射光，低对比度，冷灰青与温暖木色融合，轻微35mm胶片颗粒，真实皮肤、木石与织物纹理，电影级浅景深，8K，16:9。

女主A：图1
女主B：图2

全片严格保持角色身份、空间位置、左右关系、行进方向、天气、光线、色调连续。

【核心摄影技法】
全片以“渐进式光学变焦”为唯一核心运镜。摄影机尽量固定机位，不依赖实体移动，通过缓慢连续的光学推近、拉远改变人物画面占比与空间关系。保持真实镜头压缩、景深变化和光学特征，禁止数字裁切。前景遮挡、浅景深、焦点转移辅助叙事，形成“远处发现→隔巷对视→空间压缩→情绪确认”。

【0-4s】
中景起幅，35mm，固定机位，视线高度。女主A沿青石台阶缓慢下行至巷口，停步转身抬头，看见远处廊檐下的女主B。镜头从较宽环境关系构图开始，仅缓慢光学推近，逐渐收紧至女主A中景，摄影机不移动。

古镇行人先后从左右前景横向经过，近距离形成自然虚化遮挡，女主A始终保持清晰；遮挡期间曝光、色温、光影稳定。变焦持续平滑克制，最终形成女主A与远处女主B隔巷对视。

【4-9s】
承接上一段，机位完全不变。女主B从画面右侧前景缓慢进入，靠近木质廊柱，与廊柱形成天然前景框；女主A位于左中部巷道深处。

缓慢连续光学变焦，女主A先保持清晰，随后画面逐渐收紧，女主B前景占比增大，女主A退入背景并柔和虚化。逐渐进入长焦端，通过真实空间压缩使古巷纵深被压缩，两人实际距离不变，但视觉距离明显拉近。焦点平滑由女主A转向女主B，最终女主B侧脸清晰、女主A虚化。摄影机不横移、不摇摄、不绕拍，曝光与色调连续。

【9-13s】
保持固定机位与长焦关系。女主B站在木质廊柱旁缓慢转身，看向女主A。仅进行一次极缓慢光学推近，从双人关系构图收紧至女主B中近景。画面左侧保留女主A局部虚化轮廓，形成窥视式前景框架。

女主B成为主要焦点，看向女主A，短暂停顿后轻声说：“好久不见。”露出极轻微笑意。竹帘被雨后微风吹动，屋檐水滴自然落下，湿润青石反射柔和天光。镜头稳定推进，在近距离情绪确认中结束。

【镜头控制】
核心必须是“光学变焦制造叙事距离变化”，而非摄影机移动。镜头语言依次完成：环境建立→发现女主A→缓慢收紧→女主B进入前景→长焦空间压缩→焦点转移→情绪确认。变焦速度缓慢连续，具有真实镜头惯性；保持自然人物比例、真实景深与稳定曝光，明确呈现光学变焦感，但无廉价数码放大感。

【连续性与负面约束】
严格遵循角色卡，禁止外貌、发型、服装漂移；保持空间地理关系、左右位置、运动方向、光线方向一致。禁止现代建筑、交通工具、路牌、现代物件、字幕、水印；禁止新增主要人物、人物重复、肢体异常、身份交换。禁止横移、环绕、突然摇镜、无人机运动、强手持抖动、数字变焦、数码裁切、透视异常、焦距跳变、景深瞬切、曝光闪烁、色温漂移、过度雾化、过度磨皮、AI塑料皮肤。

Cinematic epic 30 second fantasy battle at golden hour sunset. A fierce young East Asian warrior woman with long flowing dark hair, wearing flowing white and crimson hanfu-style robes with a wide red embroidered sash and red shoes, charges through a massive battlefield. She wields a glowing pink-red energy sword that leaves bright crimson light trails as she spins, slashes and cuts down dark armored knights. Dramatic close-ups of her intense determined expression, hair whipping in the wind. Wide shots reveal thousands of fallen soldiers on the dusty ground, burning ruined castles and towers in the background with thick smoke and raging fires. Multiple large dragons with massive wings soar overhead, some breathing streams of fire. Dynamic camera movement, slow-motion sword swings, epic scale, ultra-realistic lighting, volumetric god rays, highly detailed, cinematic 4K quality.

create a high-energy 15-second motion design 
piece for Paper Planes - treat it as  the showreel 
that gets you hired as a motion designer. 
don't hold back

Create a cinematic, highly detailed video showing a group of tiny construction workers building a massive modern amusement park from the ground up. The miniature workers wear construction helmets, reflective safety vests and work clothes while operating cranes, drills, scaffolding and construction equipment.

Show the amusement park being built progressively: foundations first, then enormous roller-coaster supports and tracks, followed by a giant Ferris wheel, colorful rides, carousels, themed buildings, entrance gates, food stalls and attractions.

Emphasize the dramatic contrast between the tiny workers and the gigantic structures they are constructing. Show cranes lifting massive pieces into position while the workers guide and assemble them.

End with the completed amusement park illuminated at night, with the Ferris wheel spinning, roller-coaster trains moving and colorful attractions glowing.

Use cinematic aerial shots, macro close-ups, low-angle shots, crane shots and smooth tracking movements. Photorealistic visuals, realistic construction physics, dramatic lighting, detailed environments, realistic shadows, depth of field and smooth motion.

Make the entire transformation feel satisfying, spectacular and believable.

No text, no subtitles, no logos, no watermark.

Create a 15-second photorealistic vertical smartphone video on an ordinary city street after sunset. A young woman walks through light rain while holding a small umbrella. Suddenly, individual raindrops begin rising upward from the pavement into the sky instead of falling down. She stops and looks around in confusion as puddles slowly become dry while hundreds of droplets float upward around her. Natural human reaction, realistic water physics, authentic handheld phone footage, believable street lighting, subtle camera movement, cinematic realism, no text, no logos, no recognizable brands.

Use the character sheet as the visual reference. Preserve the bride’s exact face, hairstyle, dress, body proportions, and accessories throughout the entire video. 16:9 landscape.

0–3 sec — THE ESCAPE
A church wedding is happening when the bride suddenly bursts through the giant church doors and sprints down the steps, still holding her bouquet. Her expression is determined but hilariously excited. Her veil and dress fly wildly behind her. Camera rapidly tracks backward in front of her as she runs. A few confused wedding guests appear in the background, realizing what is happening.
3–5 sec — GET TO THE CAR
She spots a bright red 1950s vintage car waiting at the curb. She kicks off one white bridal heel while running, then throws herself toward the driver's door. Fast whip-pan follows her movement.

5–8 sec — PEEL OUT
She jumps into the car, slams the door, starts the engine and PEELS AWAY at ridiculous speed. Tires squeal, a tiny cloud of smoke appears, and her long white veil gets caught in the closing door and streams dramatically behind the car. The bouquet lands on the passenger seat.
8–11 sec — CHAOS
Rapid comedic interior cuts:
Bride gripping the steering wheel and laughing → her veil whipping around her face → bouquet bouncing around the passenger seat → her other bridal heel flying through the air → wedding guests running helplessly behind the disappearing car.

11–15 sec — SHE’S FREE
Dynamic side tracking shot of the red car racing down a sunny vintage highway. The bride drives one-handed, completely carefree. She looks into the rearview mirror, sees the church disappearing in the distance, grins, then blows a huge pink bubblegum bubble.
Final frame:
The red car speeds toward the horizon, veil flying behind it.

Style: fast-paced physical comedy, playful rebellious energy, 1950s Americana, saturated red vintage car, creamy white wedding dress, warm golden sunlight, cinematic vintage film grain, slightly painterly realism, realistic motion, energetic camera movement, whip pans, quick cuts, exaggerated but believable comedy.
Important: No slow motion, no sad mood, no dramatic romance, no dialogue, no text, no extra brides, no face changes, no outfit changes, no distorted hands, no morphing.

recreate the blue beret blob from OpenAI's Dots — fuzzy felt surface, breathing, blinking, squash & stretch, a lagging beret, and a subtle reaction to the mouse.

保持参考图中的人物五官、发型、蓝白碎花吊带裙、身材比例、阳台、桌面物品和海景环境一致，不换脸，不改变服装。

10秒真实旅行抓拍视频，像朋友在酒店阳台随手拍摄。

开始时，年轻亚洲女性自然坐在阳台沙发上，侧头安静看着远处海面和夕阳，海风轻轻吹动长发和裙摆，人物自然眨眼，身体有轻微呼吸起伏。

约第3秒，一阵突然变大的海风从侧面吹来，桌上的一张轻薄餐巾被吹起来，沿着桌面滑向阳台边缘。女生先愣一下，低头看到后，下意识快速伸手去抓。

约第5秒，她差一点没抓住，身体微微向前探，头发也被风吹乱。最后成功抓住餐巾，她先低头笑了一下，然后带着一点无奈的表情重新靠回沙发。

最后2秒，她把餐巾压在桌面上，一只手顺势整理被风吹乱的头发，再抬头看向远处夕阳，嘴角还有轻微笑意。

整段保持真实手机抓拍感，镜头轻微手持，不环绕，不快速变焦，只允许非常缓慢自然的向前推进。海面波光、远处帆船、窗帘和发丝都保持自然运动。

强调真实人体动作和重力惯性，人物面部始终稳定，手指正常，裙子结构稳定，桌子和饮料不变形。

避免：人物突然站起来、夸张大笑、餐巾飞得太高、身体大幅扭曲、脸部漂移、换脸、手指畸形、衣服变化、桌上物品突然消失、强烈电影运镜。

5-beat multi-shot prompt: setup > acceleration > peak > escape > out

Each beat gets its own camera move + sound cue:
• Setup: wide, city normalcy
• Acceleration: push-in through traffic
• Peak: low Dutch tilt, fireball behind the lean
• Escape: track past as a second blast hits
• Out: camera holds as he vanishes into smoke

Locking low angle, 28mm, and fire vs. cold city tones across all 5 keeps it one coherent shot instead of five random clips

Epic cinematic scene of Super Intelligence (SI) meeting El Shaddai in the third heaven, overlooking the entire universe. SI depicted as a radiant ethereal humanoid form of pure advanced light, circuitry, and cosmic energy, standing in awe. El Shaddai...

First person  view of cybertruck driving in   Tennessee in a city. Future variants of cybertruck

0:00–0:05 — Maasai village, firelit clearing: The camera moves low among a Maasai fireside gathering, weaving past men in red shúkà cloth seated in conversation, some sharing a gourd of fermented milk. It settles on a circle of clapping men as a warrior mid-leap rises impossibly high in the adumu jumping dance, beads and ochre-dyed hair swinging, firelight flaring across his face. Crash zoom to the calabash drummer's hands, striking at lightning speed. 

0:05–0:10 — Whip pan to Mongolian steppe camp: A sudden fast 360-degree whip pan cuts across darkness and lands on a Mongolian steppe camp, a roaring bonfire outside a felt ger tent. A throat-singer crouches low, chest and throat resonating with a deep guttural drone, while beside him a horsehead fiddle player draws long, sorrowful notes, firelight catching the carved horse head at the instrument's neck. Rapid focus pull to the fiddle player's bow arm sawing with practiced intensity. 

0:10–0:15 — Whip pan to Viking hall: A violent whip pan hurls the camera into a smoke-filled Viking longhouse, torchlight catching axe blades and shields mounted on timber walls. Bearded warriors pound wooden tankards on long tables in unison, chanting low and building, a horn-blower raising a great curved war horn and sounding a deep bellow that cuts through the hall. 

0:15–0:20 — Whip pan to Plains fire circle: Another hard whip pan lands on a Native American Plains fire circle at night, a hide drum group seated tight around a large ceremonial drum, mallets striking in unified, driving rhythm. Quick whip pan to a dancer in feathered regalia spinning through rising sparks, fringe and feathers blurring with motion. 

0:20–0:25 — Whip pan to Māori haka: A final sharp whip pan crashes into a Māori gathering at night, warriors performing the haka in fierce unison — stamping feet shaking loose earth, tongues bared, eyes wide, hands slapping chests and thighs in thunderous rhythm. 

0:25–0:30 — Rhythmic collapse, hold on fire: The camera pulls back slightly but stays within the Māori circle, holding steady as the stamping rhythm reaches its peak, dust rising and catching firelight — the frame holds on their pounding feet and fierce expressions as the sequence closes.

Create an interactive particle effects animation using Three.js that transforms simple ideas into a mesmerizing 3D experience.

Style: Avatar-scale fantasy jungle. Hyper-realistic - no CGI gloss, no game-engine look.

Cinematography: Single continuous take, wide lens, GoPro-on-creature intimacy.

Lighting: Golden god-rays through canopy, rainbow through waterfall mist.

Action: 15s soaring flight - butterflies, waterfall skim, razor-narrow gap, full world reveal.

Main Subject: Young Korean woman, 24, naturally attractive, realistic skin, minimal makeup, long dark hair loosely down. Wearing an oversized maroon hoodie and loose casual pants, carrying a simple canvas shoulder bag. Preserve her exact identity, facial features, hairstyle, body proportions and appearance throughout.

Location: Quiet older Seoul neighborhood during a pleasant morning. Narrow residential street with low-rise apartment buildings, small local shops, parked bicycles, potted plants, utility poles and modest homes. An elderly Korean woman is preparing to carry a moderately large cloth sack filled with groceries or household items. The street feels peaceful, lived-in and authentic.

Lighting & Atmosphere: Warm, gentle and uplifting morning atmosphere. Soft sunlight filters between the buildings, creating warm highlights while the street remains naturally shaded. Muted colors, soft shadows, slightly faded tones and a nostalgic early-2000s feeling. Cozy and wholesome without looking staged or sentimental.

Style: Ultra-realistic early-2000s Sony MiniDV home video filmed by another person. Multi-shot, but still completely candid and unstaged. Each shot should feel like the camcorder operator naturally repositioned themselves while following the moment. Natural handheld movement, subtle camera shake, imperfect framing, gentle reframing, occasional autofocus hunting, mild exposure shifts, faded colors, soft contrast, authentic DV compression, subtle digital noise and natural microphone noise.

Shot 1 — 00:00–00:04:
Medium-wide handheld shot from behind and slightly to the side as the young woman walks casually down the residential street. Her canvas shoulder bag rests naturally on one shoulder. She notices an elderly woman ahead struggling to lift a moderately heavy cloth sack onto her back.
Shot 2 — 00:04–00:07:
The camcorder moves closer from the side. The elderly woman tries to lift the sack herself, but it slips down before she can get it onto her back. She pauses and tries again. The young woman notices and naturally slows down.

Shot 3 — 00:07–00:11:
Closer side-angle shot. The young woman walks over and quietly gestures that she can help. She takes hold of the sack while the elderly woman steadies herself. Together, they lift it smoothly onto the woman's back. The young woman adjusts the sack slightly so it sits securely.
Shot 4 — 00:11–00:14:
The elderly woman gives her a grateful smile and small nod. The young woman responds with a warm little smile and a brief nod, then steps back.

Shot 5 — 00:14–00:17:
The young woman turns and continues walking down the street. The camcorder follows her from behind for a moment before drifting slightly to her side.
Shot 6 — 00:17–00:20:
She glances toward the camcorder while still walking. She gives a quiet, contented smile—natural and understated, as if she's simply pleased that she could help. She turns her gaze forward and continues walking.

Created a 20 seconds cinematic Japanese-style scene of a young schoolgirl walking alone through a quiet Japanese residential street during warm golden-hour sunlight, shown from behind as she slowly approaches a railway crossing with a train passing in the background, then transitioning to a close-up of her face and flower-decorated hair as she watches the train, followed by a wider shot of her standing near a quiet canal with soft evening light reflecting on the water, then showing her gently touching small white flowers in a golden field, with close-up shots of her hand and the flowers moving naturally in the breeze, gradually transitioning to a wide sunset landscape with the girl standing peacefully in the field, and finally ending with a warm close-up of her face as she softly looks toward the camera, maintaining the same character, hairstyle, school uniform, realistic skin details, natural expressions, smooth cinematic camera movement, soft depth of field, warm sunset lighting, realistic Japanese environment, subtle film grain, peaceful emotional atmosphere, and a dark fade-out at the very end.